Audio Clipping Indicator

Detects clipping in preamp stages, mixers, amplifiers etc., Single LED display - 9V Battery supply unit

This circuit was intended to be used as a separate, portable unit, to signal by means of a LED when the output wave form of a particular audio stage is "clipping" i.e. is reaching the onset of its maximum permitted peak-to-peak voltage value before an overload is occurring. This will help the operator in preventing severe, audible distortion to be generated through the audio equipment chain. 

This unit is particularly useful in signaling overload of the input stages in mixers, PA or musical instruments amplification chains, but is also suited to power amplifiers. A careful setting of Trimmer R5 will allow triggering of the LED with a wide range of peak-to-peak input voltages, in order to suit different requirements. Unfortunately, an oscilloscope and a sine wave frequency generator are required to accurately setup this circuit. Obviously, the unit can be embedded into an existing mixer, preamp or power amplifier, and powered by the internal supply rails in the 9 - 30V range. The power supply can also be obtained from higher voltage rails provided suitable R/C cells are inserted. SW1 and B1 must obviously be omitted.

Circuit diagram:

Audio Clipping Indicator Circuit Diagram

Parts:
R1___________1M 1/4W Resistor (See Notes)
R2,R3,R8_____100K 1/4W Resistors
R4,R6________10K 1/4W Resistors
R5___________5K 1/2W Trimmer Cermet or Carbon
R7___________2K2 1/4W Resistor
R9___________22K 1/4W Resistor
R10__________1K 1/4W Resistor (See Notes)
C1,C4________220nF 63V Polyester Capacitors
C2___________4p7 63V Ceramic Capacitor (See Notes)
C3___________220µF 25V Electrolytic Capacitor
C5___________10µF 25V Electrolytic Capacitor (See Notes)
D1,D2________1N4148 75V 150mA Diodes
D3___________LED (Any dimension, shape and color)
Q1___________BC547 45V 100mA NPN Transistor
IC1___________TL062 Dual Low current BIFET Op-Amp (or TL072, TL082)
SW1__________SPST Toggle or Slide Switch (See Text)
B1____________9V PP3 Battery (See Text)

Circuit operation:

The heart of the circuit is a window comparator formed by two op-amps packaged into IC1. This technique allows to detect precisely and symmetrically either the positive or negative peak value reached by the monitored signal. The op-amps outputs are mixed by D1 and D2, smoothed by C4, R7 and R8, and feed the LED driver Q1 with a positive pulse. C5 adds a small output delay in order to allow detection of very short peaks.

Notes:

• With the values shown, the circuit can be easily set up to detect sine wave clipping from less than 1V to 30V peak-to-peak (i.e. 15W into 8 Ohms). If you need to detect higher output peak-to-peak voltages, R1 value must be raised. On the contrary, if the circuit will be used to detect only very low peak-to-peak voltages, it is convenient to lower R1 value to, say, 220K omitting C2. In this way, the adjustment of R5 will be made easier.
• Using a TL062 chip at 9V supply, stand-by current drawing is about 1.5mA and less than 10mA when the LED illuminates. With TL072 or TL082 chips, current drawing is about 4.5mA and 13mA respectively.
• When using power supplies higher than 12V, the value of R10 must be raised accordingly.
• When using power supplies higher than 25V, the working voltage value of C5 must be raised to 35 or 50V.

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Moduler Audio Preamplifier

High Quality, Discrete Components Models, Input and Tone Control Modules

To complement the 60 Watt MosFet Audio Amplifier a High Quality Preamplifier design was necessary. A discrete components topology, using + and - 24V supply rails was chosen, keeping the transistor count to the minimum, but still allowing low noise, very low distortion and high input overload margin. Obviously, the modules forming this preamplifier can be used in different combinations and drive different power amplifiers, provided the following stages present a reasonably high input impedance (i.e. higher than 10KOhm).

Main Module:

If a Tone Control facility is not needed, the Preamplifier will be formed by the Main Module only. Its input will be connected to some sort of changeover switch, in order to allow several audio reproduction devices to be connected, e.g. CD player, Tuner, Tape Recorder, iPod, MiniDisc etc. The total amount and type of inputs is left to the choice of the home constructor. The output of the Main Module will be connected to a 22K Log. potentiometer (dual gang if a stereo preamp was planned). The central and ground leads of this potentiometer must be connected to the power amplifier input.

Circuit diagram:

Main Module Circuit Diagram

Parts:
R1_____________1K5 1/4W Resistor
R2_____________220K 1/4W Resistor
R3_____________18K 1/4W Resistor
R4_____________330R 1/4W Resistor
R5_____________39K 1/4W Resistor
R6_____________56R 1/4W Resistor
R7,R10_________10K 1/4W Resistors
R8_____________33K 1/4W Resistor
R9_____________150R 1/4W Resistor
R11____________ 6K8 1/4W Resistor
R12,R13________100R 1/4W Resistors
R14____________100K 1/4W Resistor
C1_____________220nF 63V Polyester Capacitor
C2_____________220pF 63V Polystyrene or ceramic Capacitor
C3_____________1nF 63V Polyester or ceramic Capacitor
C4,C7__________47µF 50V Electrolytic Capacitors
C5,C6__________100µF 50V Electrolytic Capacitors
Q1,Q2__________BC550C 45V 100mA Low noise High gain NPN Transistors
Q3_____________BC556 65V 100mA PNP Transistor
Q4_____________BC546 65V 100mA NPN Transistor

Tone Control Module:

This Module employs an unusual topology, still maintaining the basic op-amp circuitry of the Main Module with a few changes in resistor values. A special feature of this circuit is the use of six ways switches instead of the more common potentiometers: in this way, precise "tone flat" setting, or preset dB steps in bass and treble boost or cut can be obtained. Tone Control switches also allow a more precise channel matching when a stereo configuration is used, avoiding the frequent poor alignment accuracy presented by common ganged potentiometers. Six ways (two poles for stereo) rotary switches were chosen for this purpose as easily available. This dictated the unusual "asymmetrical" configuration of three positions for boost, one for flat and two for cut.

This choice was based on the fact that tone controls are used in practice more for frequency boosting than for cutting purposes. In any case, +5dB +10dB and +15dB of bass boost and -3dB and -10dB of bass cut were provided. Treble boost was also set to +5dB +10dB and +15dB and treble cut to -3.5dB and -9dB. Those wishing to use common potentiometers in the usual way for Tone Controls may use the circuit shown enclosed in the dashed box (bottom-right of the Tone Control Module circuit diagram) to replace switched controls. The Tone Control Module should usually be placed after the Main Input Module, and the volume control inserted between the Tone Control Module output and the power amplifier input. Alternatively, the volume control can also be placed between Main Input Module and Tone Control Module, at will. Furthermore, the position of these two modules can be also interchanged.

Circuit diagram:

Tone Control Module Circuit Diagram

Parts:

R1,R7___________47K 1/4W Resistors
R2_____________220K 1/4W Resistor
R3______________18K 1/4W Resistor
R4_____________330R 1/4W Resistor
R5______________39K 1/4W Resistor
R6______________56R 1/4W Resistor
R8_____________150R 1/4W Resistor
R9______________10K 1/4W Resistor
R10,R16__________6K8 1/4W Resistors
R11,R12________100R 1/4W Resistors
R13____________100K 1/4W Resistor
R14______________1K5 1/4W Resistor
R15,R21,R22______4K7 1/4W Resistors
R17,R24,R26______8K2 1/4W Resistors
R18______________3K3 1/4W Resistor
R19______________1K 1/4W Resistor
R20____________470R 1/4W Resistor
R23,R25_________12K 1/4W Resistors
R27,R28__________4K7 1/4W Resistors
C1_____________220nF 63V Polyester Capacitor
C2_______________1nF 63V Polyester or ceramic Capacitor
C3,C6___________47µF 50V Electrolytic Capacitors
C4,C5__________100µF 50V Electrolytic Capacitors
C7______________10nF 63V Polyester Capacitor
C8,C9__________100nF 63V Polyester Capacitors
Q1,Q2_________BC550C 45V 100mA Low noise High gain NPN Transistors
Q3____________BC556 65V 100mA PNP Transistor
Q4____________BC546 65V 100mA NPN Transistor
SW1,SW2_______2 poles 6 ways Rotary Switches
Simpler, alternative Tone Control parts:
P1______________22K Linear Potentiometer
P2______________47K Linear Potentiometer
R29,R30________470R 1/4W Resistors
R31,R32__________4K7 1/4W Resistors
C10_____________10nF 63V Polyester Capacitor
C11,C12________100nF 63V Polyester Capacitors

Power supply:

The preamplifier must be feed by a dual-rail, +24 and -24V 50mA dc power supply. This is easily achieved by using a 48V 3VA center-tapped mains transformer, a 100V 1A bridge rectifier and a couple of 2200µF 50V smoothing capacitors. To these components two 24V IC regulators must be added: a 7824 (or 78L24) for the positive rail and a 7924 (or 79L24) for the negative one. The diagram of such a power supply is the same of that used in the Headphone Amplifier, but the voltages of the secondary winding of the transformer, smoothing capacitors and IC regulators must be uprated. Alternatively, the dc voltage can be directly derived from the dc supply rails of the power amplifier, provided that both 24V regulators are added.

Note:

If this preamplifier is used as a separate, stand-alone device, thus requiring a cable connection to the power amplifier, some kind of output short-circuit protection is needed, due to possible shorts caused by incorrect plugging. The simplest solution is to wire a 3K3 1/4W resistor in series to the output capacitor of the last module (i.e. the module having its output connected to the preamp main output socket).

Technical data:

Main Module Input sensitivity:

250mV RMS for 1V RMS output

Tone Control Module Input sensitivity:

1V RMS for 1V RMS output

Maximum output voltage:

13.4V RMS into 100K load, 11.3V RMS into 22K load, 8.8V RMS into 10K load

Frequency response:

flat from 20Hz to 20KHz

Total harmonic distortion @ 1KHz:

1V RMS 0.002% 5V RMS 0.003% 7V RMS 0.003%

Total harmonic distortion @10KHz:

1V RMS 0.003% 5V RMS 0.008% 7V RMS 0.01% 

Remote Audio Level Indicator

The normal level-indicator circuits which are available in the market require connections to be made to the output of the player, which may not be easily accessible. The audio level indicator circuit described here removes this restriction as it may be placed close to the player’s speakers and yet the desired effect can be realised. 

Circuit diagram :

Remote Audio Level Indicator Circuit Diagram

As shown in the circuit, signals are picked up by the condenser microphone, which get further amplified by the noninverting amplifier built around one of the four op-amps of LM324. The remaining three, along with four op-amps of the second LM324, are used as seven comparators to work as the level detector, giving seven output levels through seven coloured LEDs. 

The sensitivity of the audio level indicator circuit may be improved by varying the 220k potentiometer. If a fine adjustment is desired, a 4.7-kilohm potentiometer may be connected in series resistors with the 220k potentiometer.

Copyright : EFY